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“I like to give all my art away, but only to people who are prepared to pay for it.”
TRXTR, 2012.
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The rich and seductive mixed media digital canvasses by Newcastle born TRXTR have
a depth and intellect that goes way beyond the multi layered and textural qualities
of the finished works of art, which appear at first glance glamour based. The pseudonym
TRXTR has its origins coming from the North American Indian Spirit who meddles and
shape shifts causing weird happenings in the village. The hicks, curses and superstitions
are put down to ‘The Trxtr’.
Growing up with a ’good’ Protestant family background
and a childhood fascination for animals and nature TRXTR studied Fine Art (Sculpture
and screen printing) in Newcastle. In 1973 he abandoned his studies to work independently
on a Northern Arts funded Environmental Sculpture project in Northumberland and the
USA. Working on oil rigs and going around on a motorbike his natural curiosity took
him armed with his 5x4 camera to document the processes of low impact environmental
sculpture developing his interest in the evolvement of natural decay, deterioration,
patinas and rust.
TRXTR is particularly interested in the hardware of war in particular
B-
With an interest in the spirit of Josef Beuys’s taming of the Coyote, TRXTR has matured
his prolific photographic collections with the juxtaposition of concepts and religious
confusion, politics and male power by use of collage and paint overlays. He uses
digital processes because they reflect the same confusions, obsessions and over saturation
of our world of mass information and cross cultural junk.
Fleeting temporary images
and throw away faces which appear on the internet are immortalised by TRXTR’s paint
treatments on canvas with luscious colour, translucent depth and quality and then,
at times, given status with a traditional ornate gold frame. TRXTR uses the simple
coding of the face (eyes, ears, nose and mouth) to question why certain combinations
are more beautiful and alluring to us humans. The same concept applies to the animal
kingdom. Is it Survival of the Fittest in a virtual reality?
TRXTR plays with our
heads by creating virtual beauties where the power of the glamorous woman seems to
symbolize Democracy (and War) as opposed to Communism or Islamic Fundamentalism.
The mass media obsession with over indulgent celebrities, sexuality, lady boys and
the manipulation of beauty where the FAKE versus the REAL takes on a virtual power
which threatens the Status Quo depending on the political persuasion. What do we
believe? Is any of it real? Where is the morality and principles of the laws which
govern us? Do we actually care? Who is to say the apparent Civilized Democratic West
has the answers as opposed to those governed by male dominated strict cultural traditions,
religions or outdated totalitarian regimes? Our jet planes and airports symbolise
our freedom to exploit other countries with the cheap Cultural Imperialism of Tourists.
Now they have become terrorist danger zones. These are the themes TRXTR explores,
they are endless and there is no resolve, they just continue to evolve........
Kristina Bieganski
http://www.kristinabieganski.com/
Artist Critique